In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
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Celedonio Molinar Selling the Devil
In this excerpt, Molinar discusses the practice of symbolically selling the devil at the conclusion of the Congo game and his interpretation of what the devil character represents within the Congo tradition.
Celedonio Molinar Changes to Devil
In this excerpt, Molinar discusses a few of the changes that he has witnessed in the devil character’s embodiment within the tradition that displease him and responds to Arturo Lindsay’s question regarding the escalating violence he has witnessed with the way some younger practitioners wield their whips.
Celedonio Molinar Three Major Devils
In this excerpt, Molinar discusses the current existence of three people who play the role of Major Devil in the Congo tradition even though the official narrative about the tradition only signifies one Major Devil character playing at any one time.
Celedonio Molinar How the Major Devil is Chosen and Trained
In this excerpt, Molinar discusses the process by which the Major Devil is chosen and trained for the role. He also clarifies that he ascended to the role of Major Devil in Nombre de Dios and arrived in Portobelo with the experience and title to play the role.
Celedonio Molinar Continuing as Major Devil
In this short excerpt, Molinar discusses his choice to come out as Major Devil each year even after training others to do so.
Celedonio Molinar The Pujido
In this excerpt, Molinar explains the “pujido,” a sound that the devils within the Congo tradition of Panama make that is a part of their embodiment of the character. The literal translation of the word is “grunt,” but the effect is more than that. The sound amplifies internal energy and is done in response to both internal desires and external stimuli.
Celedonio Molinar Escalating Violence
In this short excerpt, Molinar laments some of the escalating violence that he witnessed in the early 21st century.