In this excerpt, Solís discusses the relationship between the economy and the increasingly violent ways in which younger generations of devils within Congo traditions of Panama embody the character.

In this excerpt, Solís discusses the relationship between the economy and the increasingly violent ways in which younger generations of devils within Congo traditions of Panama embody the character.
In this excerpt, Ileana discusses the unique energy and magnetism that made Celedonio Molinar’s embodiment of the devil character within the Congo tradition of Portobelo, Panama so special.
In this excerpt, Solís discusses what she believes is the legacy of Celedonio Molinar, renowned Major Devil in the Congo tradition of Portobelo, Panama.
In this short excerpt, Molinar discusses his choice to come out as Major Devil each year even after training others to do so.
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about the role that Pajarito, the Little Bird, once played in the Congo game, and the ways in which the character and the game have shifted. The construction of the road signaled the end of the game as one between neighboring Congo Kingdoms who competed to capture each others’ palacio/palenque. The contemporary game is between the discrete Congo communities and the character of the devil.
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about the role that the princess character once played.
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about the ways in which the king’s role has diminished since her father once played it.
In this short excerpt, Molinar laments some of the escalating violence that he witnessed in the early 21st century.
In this excerpt, Jiménez discusses his interpretation of how one is selected to play the role of Major Devil in the Congo tradition of Portobelo, Panama.
In this excerpt, Esquina discusses the differences between the costumes of the Congo community of Portobelo and other Congo communities in Panama.