In this excerpt, Maestro Andrés discusses the beauty of the Congo tradition, its relationship to the history of the town and other cultural practices associated with the town. This interview was recorded using a cassette tape. At this point in the recording, the tape appears to have sped up causing distortion.
In this brief excerpt, Sandra Eleta talks about Arturo Lindsay and the founding of Taller Portobelo as a workshop for the Congo artists.
In this excerpt, Sandra Eleta shares memories of the first children and community members she chose to photograph.
In this excerpt, Sandra Eleta discusses the founding and operation of Taller Portobelo Women’s Cooperative, a textile-arts workshop for local women.
In this excerpt, Maestro Andrés discusses the impact of tourism on the tradition, including the monetization of various aspects and changes in costuming. In describing the current tradition, he references the impact of the “the road” on the town. At this point in the recording, the tape appears to have sped up causing distortion.
In this excerpt, Chavarría discusses his mentor Celedonio Molinar’s lasting legacy to the town and to the Congo tradition, including a charge to embrace the tradition with pride and joy.
In this excerpt, Chavarría discusses the way in which hierarchies of Congo Devils greet one another, how they are baptized within the tradition, and the importance of crossing one’s feet and “dancing” in the devil way.
In this excerpt, Chavarría shares cherished memories of his mentor, Celedonio Molinar, including seeing him “fly” from roof to roof as Major Devil. Chavarría also discusses important lessons and ritual practices that he learned from his mentor about performing the Major Devil role.
In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
In this excerpt, Jiménez discusses the significance of the devil character to the Congo tradition of Panama and his perspective on playing the Major Devil character.