In this excerpt, Chavarría talks about the importance, for him, of playing the Devil character from “emotion” and his decision to break away from a particular ritual that marked his mentor’s embodiment of Major Devil.
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Carlos Chavarria Becoming Major Devil
In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
Carlos Chavarria Style of Devil
In this excerpt, Chavarría discusses his particular style of “Devil” embodiment within the Congo tradition and the way others perceive of his performance. He also talks about the respect devils from outside of the community give to the devil of the town they are visiting. Each visiting devil must submit to the rules of the game as practiced by the local community.
Carlos Chavarria Choosing to Play the Devil
In this excerpt, Chavarría talks about his choice to play the devil role in the Congo tradition and shares his memories of how he came to play the role for the first time as a school-aged boy.
Carlos Chavarria Devil’s Mask
In this excerpt, Chavarría discusses the ways in which the Devil’s mask initially captured his attention and the double perspective/participant-observer position that it provides.
Carlos Chavarria Changes to the Major Devil
In this excerpt, Chavarría discusses the ways in which the Major Devil character has changed over his lifetime. He focuses particularly on his choice to follow his mentor’s example by wearing a smaller mask and discusses the value of smaller masks in relationship to the value of larger ones, which many younger devils choose to wear.
Ileana Solis Palma Legacy of Celedonio
In this excerpt, Solís discusses what she believes is the legacy of Celedonio Molinar, renowned Major Devil in the Congo tradition of Portobelo, Panama.
Ileana Solis Palma Enchantment at Seeing Celedonio
In this excerpt, Solís discusses the enchantment she felt the first time that she witnessed Celedonio Molinar performing the role of Major Devil, the baptism of the devils, and how she learned about the performance traditions of Portobelo, Panama.
Raul Orlando Jimenez Delgado Participation of Family Members in Congo
In this excerpt, Jiménez talks about the participation of other family members in the Congo tradition, including an older brother who has performed the role of Pajarito and a younger brother who has performed the role of devil. His father, Andrés, also performed in the role of priest in the Congo tradition and, like him, was trained in his role by Celedonio Molinar.
Raul Orlando Jimenez Delgado Portobelo as Birthplace of Devil Character
In this excerpt, Jiménez discuses the ways in which the 20th century notion of the devil character in the Congo tradition of Panama was “born” in Portobelo and discusses the ways in which his mentor in the tradition, Celedonio Molinar, brought back the practice of “Blessing the Devils.”