Abdiel Valdez discusses the relationship between Barrio Fino and the Music School/ La Escuelita Del Ritmo.
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Barrio Fino Heraldo y Abdiel y Eric Relationship to Congo Carnival
Heraldo Eucebio De Hoyos, Abdiel Valdez, and Eric Blanquicet discuss the relationship between Barrio Fino and Congo carnival.
Barrio Fino Heraldo y Abdiel y Eric Long Term Goals
Abdiel Valdez shares some of the long-term goals of Barrio Fino, which include using participation in the group to help members become stronger musicians by expanding their skill set and gaining greater tools for cultural expression.
Barrio Fino Heraldo y Abdiel y Eric Favorite Memory
Heraldo Eucebio De Hoyos, Abdiel Valdez, and Eric Blanquicet discuss their favorite Barrio Fino memory or activity. All talk about the magic of their first public performance. In responding, Heraldo gives the spectrum of Portobelo personalities active with the group to illustrate how thoroughly it represents a broad spectrum of Portobelo culture and embodies the spirit of the community.
Sandra Eleta Founding of El Festival de los Diablos y Congos
In this excerpt, Sandra Eleta discusses the founding of a recent cultural innovation, “El Festival de los Diablos y Congos.”
Sandra Eleta Arturo Lindsay and Taller Portobelo
In this brief excerpt, Sandra Eleta talks about Arturo Lindsay and the founding of Taller Portobelo as a workshop for the Congo artists.
Sandra Eleta El Festival and Cultural Landscape of Portobelo
In this excerpt, Sandra Eleta discusses the founding of El Festival de las Polleras Congas and its entry onto the cultural landscape in Portobelo.
Celedonio Molinar Becoming Major Devil
In this excerpt, Molinar discusses how he came to play the role of Major Devil in Portobelo. And how he reintroduced the practice of “Blessing” or “Baptizing” the Devil.
Celedonio Molinar Learning about the Major Devil and Blessing the Devil
In this excerpt, Molinar discusses how he learned the role of Major Devil and the tradition of “Blessing the Devil” from a Portobelo native named Viudo Ceballos who had moved to Nombre de Dios. He also describes the way the devil tradition was practiced in Portobelo when he arrived there in 1945.