In this excerpt, Chavarría responds to the question, “One hundred years in the future when scholars are studying the Congo tradition in Portobelo, what are the most important things that they should know?”
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Carlos Chavarria Devil Greetings, Baptisms, and Crossing Feet
In this excerpt, Chavarría discusses the way in which hierarchies of Congo Devils greet one another, how they are baptized within the tradition, and the importance of crossing one’s feet and “dancing” in the devil way.
Carlos Chavarria Last Performance of Celedonio
In this excerpt, Chavarría discusses his memory of the last time the renowned Celedonio Molinar performed as devil and how his mentor retired in 2003 after being honored at that year’s Festival de los Diablos.
Carlos Chavarria Memories of Celedonio Molinar
In this excerpt, Chavarría shares cherished memories of his mentor, Celedonio Molinar, including seeing him “fly” from roof to roof as Major Devil. Chavarría also discusses important lessons and ritual practices that he learned from his mentor about performing the Major Devil role.
Carlos Chavarria Playing Devil from Emotion
In this excerpt, Chavarría talks about the importance, for him, of playing the Devil character from “emotion” and his decision to break away from a particular ritual that marked his mentor’s embodiment of Major Devil.
Carlos Chavarria Becoming Major Devil
In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
Carlos Chavarria Style of Devil
In this excerpt, Chavarría discusses his particular style of “Devil” embodiment within the Congo tradition and the way others perceive of his performance. He also talks about the respect devils from outside of the community give to the devil of the town they are visiting. Each visiting devil must submit to the rules of the game as practiced by the local community.
Raul Orlando Jimenez Delgado Participation of Family Members in Congo
In this excerpt, Jiménez talks about the participation of other family members in the Congo tradition, including an older brother who has performed the role of Pajarito and a younger brother who has performed the role of devil. His father, Andrés, also performed in the role of priest in the Congo tradition and, like him, was trained in his role by Celedonio Molinar.
Celedonio Molinar The Pujido
In this excerpt, Molinar explains the “pujido,” a sound that the devils within the Congo tradition of Panama make that is a part of their embodiment of the character. The literal translation of the word is “grunt,” but the effect is more than that. The sound amplifies internal energy and is done in response to both internal desires and external stimuli.
Raul Orlando Jimenez Delgado Portobelo as Birthplace of Devil Character
In this excerpt, Jiménez discuses the ways in which the 20th century notion of the devil character in the Congo tradition of Panama was “born” in Portobelo and discusses the ways in which his mentor in the tradition, Celedonio Molinar, brought back the practice of “Blessing the Devils.”