In this excerpt, Chavarría discusses the meaning and purpose of the Congo tradition as well as a recent opportunity to talk about the Portobelo Congo tradition with a colleague from the Democratic Republic of Congo.
![](https://digitalportobelo.org/wp-content/uploads/sites/19/2014/09/Speaking-in-Congo-Photo-by-Elaine-Eversley-624x415.jpg)
In this excerpt, Chavarría discusses the meaning and purpose of the Congo tradition as well as a recent opportunity to talk about the Portobelo Congo tradition with a colleague from the Democratic Republic of Congo.
In this excerpt, Chavarría discusses the significance and meaning of the devil character in the Congo tradition.
In this excerpt, Chavarría shares memories about how the Congo tradition of Portobelo was enacted before “the road” opened up the town to the broader community. Then, Congo carnival was a intimate community celebration in which everyone participated.
In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
In this excerpt, Solís discusses studying the dance of the devil in 1994 under the tutelage of Celedonio Molinar, legionary Major Devil of Portobelo, Panama and receiving permission from the Congo King and Queen to dress and dance as a devil in 1995.
In this excerpt, Chavarría discusses his particular style of “Devil” embodiment within the Congo tradition and the way others perceive of his performance. He also talks about the respect devils from outside of the community give to the devil of the town they are visiting. Each visiting devil must submit to the rules of the game as practiced by the local community.
In this excerpt, Solís discusses the one-person performance that she created through her theater company to celebrate Celedonio and the Major Devil tradition of Portobelo, Panama.
In this excerpt, Chavarría talks about his choice to play the devil role in the Congo tradition and shares his memories of how he came to play the role for the first time as a school-aged boy.
In this excerpt, Chavarría discusses how he imagines retiring as Major Devil.
In this excerpt, Chavarría discusses the ways in which the Devil’s mask initially captured his attention and the double perspective/participant-observer position that it provides.