In this excerpt, Sandra Eleta shares memories of the first children and community members she chose to photograph.
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Carlos Chavarria Meaning and Purpose of Congo Tradition
In this excerpt, Chavarría discusses the meaning and purpose of the Congo tradition as well as a recent opportunity to talk about the Portobelo Congo tradition with a colleague from the Democratic Republic of Congo.
Carlos Chavarria Significance and Meaning of Devil
In this excerpt, Chavarría discusses the significance and meaning of the devil character in the Congo tradition.
Carlos Chavarria Memories of Congo before the Road
In this excerpt, Chavarría shares memories about how the Congo tradition of Portobelo was enacted before “the road” opened up the town to the broader community. Then, Congo carnival was a intimate community celebration in which everyone participated.
Barrio Fino Heraldo y Abdiel y Eric Relationship to La Escuelita Del Ritmo
Abdiel Valdez discusses the relationship between Barrio Fino and the Music School/ La Escuelita Del Ritmo.
Carlos Chavarria Importance of Congo for Community Pride
In this excerpt, Chavarría talks about the importance of the Congo tradition and Congo dance to the community’s sense of pride and self. He urges young people to maintain the power of their traditions and to stay anchored to their sense of “place” and home.
Carlos Chavarria Childhood Memories of Congo before the Road
In this excerpt, Chavarría shares childhood memories about how the Congo tradition was enacted before “the road.” In the “closed” community people did not work during carnival season, pooled resources, shared food, and communed together for several days as part of their celebration.
Carlos Chavarria Most Important Things to Know about Congo in Portobelo
In this excerpt, Chavarría responds to the question, “One hundred years in the future when scholars are studying the Congo tradition in Portobelo, what are the most important things that they should know?”
Ileana Solis Palma Participation in Los Trashumantes
In this excerpt, Ileana discusses her participation with “Los Trashumantes,” the only theater group in Panama that was paid to do community theater and the Omjar Torrijos’ support for artistic culture.
Carlos Chavarria Devil Greetings, Baptisms, and Crossing Feet
In this excerpt, Chavarría discusses the way in which hierarchies of Congo Devils greet one another, how they are baptized within the tradition, and the importance of crossing one’s feet and “dancing” in the devil way.