In this brief excerpt, Esquina discusses occasions on which the community offers presentations of Congo performance locally as well as abroad and her perception of their response to the tradition.

In this brief excerpt, Esquina discusses occasions on which the community offers presentations of Congo performance locally as well as abroad and her perception of their response to the tradition.
In this short excerpt, Molinar laments some of the escalating violence that he witnessed in the early 21st century.
In this brief excerpt, Esquina discusses the significance of the Congo game and Congo dance including how prominently performing as a primary singer has figured into her life.
In this excerpt, Jiménez discusses how he began to play the devil character in the Congo tradition.
In this excerpt, Esquina discusses her pride for the Congo tradition and its importance to the towns of Panama’s upper coast.
In this excerpt, Jiménez discusses his interpretation of how one is selected to play the role of Major Devil in the Congo tradition of Portobelo, Panama.
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about changes that she has witnessed in ways in which younger practitioners who perform the role of devil in other communities sometimes put razor blades in their whips, which violates the nature of the game.