Abdiel Valdez shares some of the long-term goals of Barrio Fino, which include using participation in the group to help members become stronger musicians by expanding their skill set and gaining greater tools for cultural expression.
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Barrio Fino Heraldo y Abdiel y Eric Favorite Memory
Heraldo Eucebio De Hoyos, Abdiel Valdez, and Eric Blanquicet discuss their favorite Barrio Fino memory or activity. All talk about the magic of their first public performance. In responding, Heraldo gives the spectrum of Portobelo personalities active with the group to illustrate how thoroughly it represents a broad spectrum of Portobelo culture and embodies the spirit of the community.
Sandra Eleta Earliest Encounters with Portobelo
In this excerpt, Sandra Eleta discusses her earliest encounters with Portobelo and how the generous acts of a man from the French Antilles named Dorcy caused her to settle and work in Portobelo.
Ileana Solis Palma Participation in Los Trashumantes
In this excerpt, Ileana discusses her participation with “Los Trashumantes,” the only theater group in Panama that was paid to do community theater and the Omjar Torrijos’ support for artistic culture.
Ileana Solis Palma Childhood in an Impoverished Neighborhood
In this excerpt, Ileana discusses being raised by a hardworking middle-class mother within the economically impoverished neighborhood of Calidonia and the centrality of art to her personal development.
Carlos Chavarria Involvement in Local Politics
In this excerpt, Chavarria talks about his history of involvement in local politics and offers his unique perspective as Major Devil in the Congo tradition and Mayor of Portobelo district. The district includes: Isla Grande, Juan Gallego, La Guaira, Puerto Lindo o Garrote, Cacique, Jose Pobre, Valle Estilla, San Antonio, Nuevo Tonosi, Portobelo, La Escucha, Buenaventura, Guanche, Mechi, Alto de la Cruz, Playa Langosta, Rio Piedra, María Chiquita, Las Mercedes y Las Merceditas.
Ileana Solis Palma Philosophy of Art and Community Theater
In this excerpt, Solís discusses her philosophy of art and the power of community theater as a communicative tool. She is committed to theater that energizes, surprises, engages, and maintains the ability to engender change.