In this excerpt, Sandra Eleta shares her first impressions of the Congo tradition of Portobelo and how she became exposed to it through a Congo practitioner named Longaniza and his daughter Paloma.
In this excerpt, Sandra Eleta shares her first impressions of the Congo tradition of Portobelo and how she became exposed to it through a Congo practitioner named Longaniza and his daughter Paloma.
In this excerpt, Sandra Eleta discusses the founding of a recent cultural innovation, “El Festival de los Diablos y Congos.”
In this excerpt, Sandra Eleta discusses the founding and operation of Taller Portobelo Women’s Cooperative, a textile-arts workshop for local women.
In this excerpt, Ileana discusses being raised by a hardworking middle-class mother within the economically impoverished neighborhood of Calidonia and the centrality of art to her personal development.
In this excerpt, Chavarria talks about his history of involvement in local politics and offers his unique perspective as Major Devil in the Congo tradition and Mayor of Portobelo district. The district includes: Isla Grande, Juan Gallego, La Guaira, Puerto Lindo o Garrote, Cacique, Jose Pobre, Valle Estilla, San Antonio, Nuevo Tonosi, Portobelo, La Escucha, Buenaventura, Guanche, Mechi, Alto de la Cruz, Playa Langosta, Rio Piedra, María Chiquita, Las Mercedes y Las Merceditas.
In this excerpt, Ileana discusses her participation with “Los Trashumantes,” the only theater group in Panama that was paid to do community theater and the Omjar Torrijos’ support for artistic culture.
In this excerpt, Solís discusses her philosophy of art and the power of community theater as a communicative tool. She is committed to theater that energizes, surprises, engages, and maintains the ability to engender change.