In this excerpt, Maestro Andrés discusses his reasons for no longer participating in the Congo tradition and the changes he has seen in the tradition with the advent of “the road.”
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Carlos Chavarria Significance and Meaning of Devil
In this excerpt, Chavarría discusses the significance and meaning of the devil character in the Congo tradition.
Andres Jimenez Changes to Devil
In this excerpt, Maestro Andrés discusses the changes he witness in the tradition after the advent of “the road.” He especially focuses on the changes he has seen with respect to the devil character.
Andres Jimenez Impact of Tourism
In this excerpt, Maestro Andrés discusses the impact of tourism on the tradition, including the monetization of various aspects and changes in costuming. In describing the current tradition, he references the impact of the “the road” on the town. At this point in the recording, the tape appears to have sped up causing distortion.
Carlos Chavarria Style of Devil
In this excerpt, Chavarría discusses his particular style of “Devil” embodiment within the Congo tradition and the way others perceive of his performance. He also talks about the respect devils from outside of the community give to the devil of the town they are visiting. Each visiting devil must submit to the rules of the game as practiced by the local community.
Carlos Chavarria Choosing to Play the Devil
In this excerpt, Chavarría talks about his choice to play the devil role in the Congo tradition and shares his memories of how he came to play the role for the first time as a school-aged boy.
Carlos Chavarria Devil’s Mask
In this excerpt, Chavarría discusses the ways in which the Devil’s mask initially captured his attention and the double perspective/participant-observer position that it provides.
Carlos Chavarria Changes to the Major Devil
In this excerpt, Chavarría discusses the ways in which the Major Devil character has changed over his lifetime. He focuses particularly on his choice to follow his mentor’s example by wearing a smaller mask and discusses the value of smaller masks in relationship to the value of larger ones, which many younger devils choose to wear.
Ileana Solis Palma Studying Dance of the Devil
In this excerpt, Solís discusses studying the dance of the devil in 1994 under the tutelage of Celedonio Molinar, legionary Major Devil of Portobelo, Panama and receiving permission from the Congo King and Queen to dress and dance as a devil in 1995.
Ileana Solis Palma One-Person Performance to Celebrate Major Devil Tradition
In this excerpt, Solís discusses the one-person performance that she created through her theater company to celebrate Celedonio and the Major Devil tradition of Portobelo, Panama.